David Redd’s "Love Is Everything & It Will Not Save You" Is an Ambitious, Genre-Bending Exploration of Love, Loss, and Learning
- Nicholas Zallo
- Jul 3
- 3 min read
With his second full-length album, "Love Is Everything & It Will Not Save You", Los Angeles-based singer-songwriter David Redd offers a bold, eclectic collection that defies simple genre labels and rewards close listening. Recorded with Grammy-nominated producer Justin Glasco (Paris Paloma, The Lone Bellow) and a cast of highly respected session musicians, the album unfolds as a kaleidoscopic yet cohesive portrait of a life lived across borders—musical, emotional, and literal.
Redd, who cut his teeth in New York’s Folk circuit and later became a fixture at LA’s famed Hotel Café, is no stranger to nuance. His work has always blended an essayist’s clarity with a songwriter’s intuition, and, "Love Is Everything", is no exception. It's both experimental and rooted, straddling classic influences and modern impulses, often within the same track.
The album’s title suggests a certain contradiction, and the music leans into it. While love sits at the center, it’s not painted in broad romantic strokes. Instead, the project explores what it means to hold onto something beautiful while navigating the disarray of the world—political upheaval, personal change, and the ongoing search for purpose. That tension gives the record its bite.

From the first few tracks, the album establishes its stylistic range. Redd moves fluidly through soul-inflected grooves, dusty folk ballads, jagged bursts of rock, and contemplative piano passages. At times, the arrangements feel like they’ve been carefully stitched together from opposing musical eras—analog warmth paired with digital sheen, traditional instrumentation layered beside unexpected textures. It’s intentionally hard to classify, and that’s the point.
One of the project’s defining moments comes with the focus single, “The End". It’s a standout not because it’s louder or flashier than the others, but because it delivers a potent emotional punch. Built around a slow-burning arrangement, “The End”, blends reflective storytelling with subtle production flourishes. Redd’s vocal performance here is restrained but deeply expressive, revealing the weariness and wisdom that can only come from experience. Lyrically, he grapples with finality—not just romantic, but existential. It’s the kind of song that doesn’t ask for your attention, it earns it.
Elsewhere, the record leans into unexpected directions. There are moments that channel psych-tinged Americana, others that flirt with jazz or hip-hop rhythms. The transitions between genres never feel abrupt; instead, they mirror the album’s thematic shifts. Despite its sonic variety, the album remains anchored by Redd’s songwriting. Whether he’s delivering a line with cutting wit or quiet tenderness, there’s an honesty that cuts through. He avoids platitudes in favor of specific, lived-in language, and his lyrics often feel like they were pulled from a particularly raw journal entry or an unsent letter.
Part of what makes, "Love Is Everything & It Will Not Save You", compelling is its refusal to simplify complex emotions. Redd doesn't rush to conclusions or wrap things up neatly. The album is structured more like a series of essays than a single narrative arc—each track capturing a different season or state of mind, held together by his voice and perspective.
Ultimately, "Love Is Everything & It Will Not Save You", feels like the kind of album that rewards patience. It doesn’t chase trends or cater to algorithms—it unfolds slowly, with intention. It’s the work of an artist who understands that the best stories rarely move in straight lines. For those seeking depth, honesty, and a reminder that beauty and chaos can coexist, David Redd’s latest release is a worthy listen. It won’t save you, but it just might make you feel a little more understood.
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