Sam Edelston Shows the World the Versatility of the Dulcimer on Debut Album "Making Waves"

In a musical landscape where genre conventions often feel set in stone, Sam Edelston emerges as a true innovator. A lifelong musician and dulcimer trailblazer, Edelston has spent years expanding the instrument’s possibilities. His debut album, "Making Waves," lives up to its name—an ambitious and genre-defying project that places the mountain dulcimer squarely in the center of Classic Rock. Across 15 tracks, Edelston reimagines familiar songs with a fresh voice, all while demonstrating just how versatile this traditionally Folk-rooted instrument can be.

Though other artists have featured dulcimers in their recordings, Edelston’s approach breaks new ground. As he puts it, “Big-name artists such as Joni Mitchell, Cyndi Lauper, and Harry Styles have recorded with dulcimers, but you never hear them play anything like this.” That statement rings true from the opening track to the final note.

Drawing from a wide range of legendary acts—The Rolling Stones, The Beatles, Blondie, Billy Joel, Bruce Springsteen, and more—Edelston breathes new life into each cover. The dulcimer, often relegated to acoustic settings, becomes a surprisingly powerful lead instrument in a full band arrangement. Whether channeling the anthemic energy of Queen or the grit of Motörhead, Edelston makes each performance feel authentic, not as a novelty but as a natural evolution of the song.

The album’s lead single, “Call Me” (originally by Blondie), captures Edelston’s unique vision perfectly. The dulcimer drives the track with raw precision, delivering both rhythm and attitude. Its sharp tone gives the song a distinctive edge, while the arrangement maintains the danceable pulse of the original. It’s a reinterpretation that respects its source material without simply replicating it—a hallmark of Edelston’s work throughout the album.

“Bohemian Rhapsody”, stands out for its lighthearted swagger, with the dulcimer injecting a crisp, energy that fits seamlessly into the song’s groove. Edelston doesn’t just keep pace—he leads with confidence and flair. Meanwhile, his rendition of “Ace of Spades” pushes the dulcimer into uncharted territory. Praised by Ultimate Classic Rock for bringing “a frightening amount of rock mojo” to the track, Edelston proves that the instrument is more than capable of delivering grit and drive.

Beyond the covers, Edelston includes two original compositions—one written solo and one co-written—that highlight his talents as a songwriter. These tracks are more than filler; they reveal his creative depth and offer a glimpse of where he might go next. Amid the familiarity of the classics, these songs hold their own with memorable melodies and compelling arrangements.

Critical reception has echoed the album’s boldness. The Folk Project captured the essence of Edelston’s impact, stating, "You can’t do that on a dulcimer!" It’s a fitting summary for an artist who has spent his career challenging expectations and redefining limits.

The production on, "Making Waves," is clean and dynamic, with the dulcimer always prominent but never overwhelming. The supporting instrumentation—drums, bass, occasional backing elements—enhances the overall sound without competing for attention. It’s a well-balanced mix that highlights the novelty of the dulcimer while maintaining the energy of a true rock ensemble.

"Making Waves," isn’t just a debut—it’s a statement. Edelston has crafted an album that honors rock history while carving out a space for something entirely new. By elevating an often-overlooked instrument to a position of power and presence, he has created a body of work that’s bold, inventive, and deeply enjoyable. For fans of Classic Rock, adventurous arrangements, or instrumental ingenuity, "Making Waves," offers a listening experience that’s as surprising as it is satisfying.